Listen. Listen. I really like all of these women, and I don’t begrudge them the great opportunity they’re getting. It’s also possible that there are other women in contention who we don’t know about yet. But based on the list of names in this article, I have to ask (again): Does Lorne Michaels know that there comic actresses of color living and working in the United States? Does somebody need to take him aside and explain that, if he were to employ one or more of them, the world would not, like, end or anything? (I know Nasim Pedrad is Iranian. I’m not trying to take that away from her or anything, but it’s still just her up there.) What is the deal?

Remember when Maya Rudolph came back and hosted in February, and you could practically hear the writing staff go, “OMG, a black woman!” as they proceeded to cram every single black character and theme they could think of into the episode? (Seriously, every one. Geoffrey Canada was featured as a character.) Wouldn’t you think that after that, somebody might have said, “Hey, that was kind of nice. It seems like we might be able to do a wider variety of stuff if our cast were a little more diverse. Interesting.” Apparently nobody, or at least not the right people, did. Come on, guys. Don’t make Nasim Pedrad play Nicki Minaj anymore. Please.

At least that new version of In Living Color will be on soon.

"We’re approaching peak vagina on television, the point of labia saturation."

Two and a Half Men co-creator Lee Aronsohn has had enough of female-centered comedies. When will TV finally shine a spotlight on dudes?! (via entertainmentweekly)

1.) I love it when people try to prop up their own asinine comments by saying, “You guys, I was being ironic. Jeez, look it up.” I love it because it saves me the time of having to give someone the benefit of the doubt and wonder if they’re really as douchey as they came off at first. The minute somebody starts to explain that, in actuality, they only sounded like a jerk because of my feeble mind’s failure to grasp their ultra-refined humor, I feel pretty okay being like, “Okay, forget it. Fuck this person. There’s no discourse to be had here.”

2.) I’m awfully sorry that us ladies’ incessant period talk is so much grosser and less amusing than the nine-season-long dick joke you bestowed upon America, Lee. We’ll try to do better in the future.

3.) Let’s all take a moment to contemplate the roiling sea of gendered hostility that must be Lee Aronsohn’s soul. I don’t know what happened to him that made him think this way about women, but it must have been a real doozy.

4.) Point number two was ironic.

screamingbrain:

thedailywhat:

Dress Code Violation of the Day: Brigham Young University student Brittany Molina thought she was getting a love note when a fellow student handed her a folded piece of paper while she was standing around the school’s Provo campus on Valentine’s Day.
But when she opened it up, she discovered not an admission of attraction, but instead a strongly worded criticism of her attire.
“You may want to consider that what you’re wearing has a negative effect on men (and women) around you,” read the letter. “Many people come to this university because they feel safe, morally as well as physically, here. They expect others to abide by the Honor Code that we all agreed on. Please consider your commitment to the Honor Code (which you agreed to) when dressing each day. Thank you.”
Molina posted the piece of paper on Twitter along with a photo of what she was wearing when she received it. ”Gosh dang it,” she tweeted, “I’ll remember to dress in jeans, a sweatshirt and tennis shoes tomorrow. That way I don’t make people feel uncomfortable.”
According to Molina, the young man who handed her the note “was gone within 5 seconds.” BYU has not commented on this incident.
[sltrib.]

Dude it’s just a boner

screamingbrain:

thedailywhat:

Dress Code Violation of the Day: Brigham Young University student Brittany Molina thought she was getting a love note when a fellow student handed her a folded piece of paper while she was standing around the school’s Provo campus on Valentine’s Day.

But when she opened it up, she discovered not an admission of attraction, but instead a strongly worded criticism of her attire.

“You may want to consider that what you’re wearing has a negative effect on men (and women) around you,” read the letter. “Many people come to this university because they feel safe, morally as well as physically, here. They expect others to abide by the Honor Code that we all agreed on. Please consider your commitment to the Honor Code (which you agreed to) when dressing each day. Thank you.”

Molina posted the piece of paper on Twitter along with a photo of what she was wearing when she received it. ”Gosh dang it,” she tweeted, “I’ll remember to dress in jeans, a sweatshirt and tennis shoes tomorrow. That way I don’t make people feel uncomfortable.”

According to Molina, the young man who handed her the note “was gone within 5 seconds.” BYU has not commented on this incident.

[sltrib.]

Dude it’s just a boner

thedevilsingssondheim:

apolloreincarnated:

blameaspartame:

good job

I can’t words.

……what.

thedevilsingssondheim:

apolloreincarnated:

blameaspartame:

good job

I can’t words.

……what.

(Source: flamingdragon, via bestillmybeatingvagina)

People talk a lot about the decline of civility and respect in our public discourse. People usually point toward things like bad manners, road rage, and overly negative, even hateful political rhetoric as examples of our society becoming meaner, coarser, and less civil. You know what no one ever mentions when we have this conversation? Those Charmin commercials with the cartoon bears.

sarahchristine:

Never forget.

That was seriously the dumbest shit ever. But I’m still weirdly nostalgic about it.

sarahchristine:

Never forget.

That was seriously the dumbest shit ever. But I’m still weirdly nostalgic about it.

(Source: nodicesoldier, via isnthesweet)

My last paycheck from what used to be my primary job was for thirty dollars. Thirty dollars.

Does this mean I’m allowed to squint skeptically when, a) certain people act all sad when I tell them I’m planning on leaving, and b) I find out they’re hiring more people right now, even though everyone I’ve talked to would like to have more hours?

I heard a somewhat confusing radio edit of Rihanna’s S&M the other day, in which the word “sex” had been cut out, but all the other lyrics in the song were left completely untouched. More than anything, it left me with the question, “What other one-syllable words could be in the air that Rihanna loves the smell of?” Possibilities:

-pine

-cake

-dust

-grout

-fear

-books

-blood

-glue

-shrimp

-weed

-stamps

-bleach

-rage

-dogs

-gold

-toast

-voles

-brains

-leaves

-kids

-gum

I Know We’re Only Talking Here About Who Gets To Make Poop Jokes … But We’re Also Kind Of Not.

Tony Medley’s disconcertingly sexist review of Bridesmaids has already been pretty effectively rebutted on Tumblr using gifs alone (or almost alone), but I have thoughts to add. Let me show you them.

The first thing I’d like to say is that “the old-fashioned idea of looking up to women,” or, rather, misguided nostalgia for that idea, kind of makes my skin crawl. It’s one thing not to be a fan of crude humor – which, judging from this review and his general disdain for all of Judd Apatow’s work, I would say Medley is not. It’s another thing to be especially not a fan of it on such an explicitly gendered basis as the one Medley rolls out in this review. I know we’re only talking here about who gets to make poop jokes … but we’re also kind of not. The idea that women shouldn’t have to (or just shouldn’t) participate in certain kinds of humor because it degrades something pristine and special that sets them apart from men isn’t far off, logic-wise, from the idea that women shouldn’t have to worry their pretty little virtuous heads about, I don’t know, say, the dirty and corrupt business of government. It’s the same kind of “angel in the house” bullshit that people (men and women) have used to keep women from voting, earning their own money, and generally participating in public life and being whole human beings for centuries. I feel extremely lucky to live in a time and place where this pernicious off-brand version of “respect” is only being used to attack Melissa McCarthy’s portrayal of a woman shitting in a sink, and not something arguably more important like my right to vote. But that doesn’t mean a lot of the same thinking doesn’t carry over from one to the other, and it doesn’t mean I shouldn’t feel like rolling my eyes when the same condescending ideas get trotted out again in new clothes.

I don’t even know what to say about the fact that Medley apparently considers “woman” and “mother” to be synonyms, and seemingly attributes all of the “respect” that women are due to the fact that they are or could be someone’s mother. (Except that it’s stupid and it sucks.) He talks about placing women on a pedestal (it’s done in “almost every society,” you guys!) like it’s a good thing, even though human history proves over and over again that every society’s favorite part of putting any kind of person on a pedestal is getting to knock them violently off of it the minute they do something wrong.

Speaking implicitly of slut-shaming, let’s look at the creepiest part of Medley’s review. Apparently, the only thing he finds more offensive than women swearing and vomiting is women having sex in more than one position and then talking about it:

“The film starts out with Annie in bed with her apparent boyfriend Ted … offering him sex in any position he wants for however long he wants it. Then, to make matters worse, she talks about it with her best friend, Lillian, going into relatively graphic, uncomfortable, detail.”

Points taken, Tony: It’s the job of good women to say no to incorrigible men (especially in bed), and only perverts talk about sex with their best friends. I’m not completely sure how much offense he’s taking at the characters’ actions themselves versus the degree of detail with which they’re presented, but I don’t really care that much. What disappoints me the most is that Bridesmaids, in its contrasting depictions of Annie’s relationships with Ted and her other love interest Rhodes – not to mention the respective marriages of Becca and Rita, though these characters are very much on the periphery and painted in broader comedic strokes – actually has some interesting things to say about the interplay between self-esteem, romantic commitment, and female sexuality. Sadly, these ideas, as well as the movie’s larger themes of female friendship, class tension, and early midlife crisis, seem lost on Medley, whose pearl-clutching moral myopia means that he can’t see the forest for the dick jokes.